I was in a hurry and could not do it better. Good luck to Mr Delangle and please tell him to forgive my music handwriting.
In February 1989, the composer wrote to us from Punta del Este, in Uruguay, where he was staying before returning to Buenos Aires:ĭear friend, finished the piano part of the Etudes tanguistiques for saxo alto and piano. Some time in 1988, after he (Piazzolla) had returned the manuscript of the Tango-Etudes (or Tangoistic Studies) in the version for alto saxophone in Eb prepared in collaboration with Claude Delangle, we asked Astor Piazzolla if he could not harmonize them, echoing the requests of flautists after the original edition had been published for their instrument in 1987.
The saxophone part in this edition contains the same written pitches as the flute/violin edition (HL24897) and can be used for unaccompanied performance by sax, clarinet, and other treble instruments. The Etudes were originally conceived and published as unaccompanied, with the composer adding a piano part later at the request of the publisher. This edition of Piazzolla's Tango Etudes includes separate solo parts for alto saxophone and B-flat clarinet, along with a piano accompaniment created by the composer.
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